A vain, lazy, self-regarding nobleman whose talent with a sword is the only thing he has worked for, and even that mostly because it offers social advancement rather than out of any love for the craft. Jezal begins the trilogy as one of the least sympathetic protagonists in fantasy and ends it as something more complicated. His arc is the most conventionally structured of the three - the journey that should make him a better person - but Abercrombie's refusal to let the journey deliver its expected payoff is one of the trilogy's most pointed observations. What happens to Jezal is not what the story of Jezal suggests should happen to Jezal.